“A robust, exhilarating must-see performance by Michael O. Smith. A compelling narrative that is remarkably personal and richly dimensional. Smith inhabits TR fully, the line between actor and character is indiscernible. This richly textured reflection on a life is spun by a figure who is, at once, worldly and filled with childlike wonder, mischief and hope. This lion in winter still knows how to roar.”
Jeffrey Borak – Berkshire Eagle
“Grabs the audience’s attention and never lets go. Smith as playwright has crafted a dramatic piece that builds and crests, encompassing sadness and joy, triumphs and disappointments... Smith as actor imbues the icon with a vivacity and intimacy that renders him flesh and blood.
Bully for The Bully Pulpit!”
Donna Bailey-Thompson – In The Spotlight
“An engaging, often humorous and always historically fascinating account of the life and politics of Theodore Roosevelt. Michael O. Smith, who bears an uncanny resemblance to Roosevelt, recreates with bombast some of Roosevelt's most dramatic public speeches, and brings a tender tone to his tales about his family life, which was filled with both love and tragedy. The play, whose strength lies in its words, its history and its humor, honors a great American”.
Kathleen Mellen – Daily Hampshire Gazette
“A one-man show can be tiresome, but when the single character is as multi-faceted, humorous, emotional, and historically attractive as Theodore Roosevelt and the only actor as multi-talented, humorous, emotional and historically representational as Michael O. Smith then the experience is more than just theatrical. It is historical. You feel you’re there. The two hours fly by. Not once in the entire evening did I hear or see or even suspect the actor’s presence. He is that good in the role. Complex but easily understood, this man, in this show, is the person everyone wants to know, if not be. The celebration of his 60th continues... Don’t miss the cake!”
J. Peter Bergman – Berkshire Bright Focus
CTC
“[The Bully Pulpit] carries on the fine tradition at the Chester Theatre Company…of small-cast plays that pack a wallop. Known for its perfecdtly dressed sets, professiona quality lighting and top-notch actors, the intimate setting isperfect for the one-, two-, and three-person casts artistic director Byam Stevens favors for his playhouse.”
Kathleen Mellen – Daily Hampshire Gazette
